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THE SOUND AFTER THE STORM
HD, color, 52Õ + 82Õ, 2009
by Patrik Soergel, Ryan Fenson-Hood, Sven O.Hill
with: Lilian BouttŽ, Dr. Michael White, Armand "Sheik" Richardson
coproduction with RSI-Radiotelevisione svizzera, HillFilm, Dirk Manthey Film
original version: English
Premiere Zurich Film Festival 2009 - Best International Documentary Award
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Awards
Zurich Film Festival 2009 - Best International Documentary
Festival selections
IDFA 2009, Docs for sale
Planet Doc Review Warsaw
Aster Film Festival Macedonia
Nordic Film Days LŸbeck
Augenweide Film Festival Kiel
Message to Man, Russia
Festival des LibertŽs Brussels
IASI Int. Film Festival, Romania
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Three years after Hurricane Katrina, New Orleans is part ghost town and part third world country. Well known musicians Lillian BouttŽ, Dr. Michael White and photographer Armand ÒSheikÓ Richardson use jazz to as a philosophy and tool to save themselves and their abandoned, crumbling city. The Sound After the Storm tells a story in which this Òmusic born of slaveryÓ is reborn in response to KatrinaÕs devastation.
Given the title of "Jazz Ambassador of New Orleans," Singer Lillian BouttŽ was the second jazz legend, since Louis Armstrong, in her city's history to be accorded this honor. Like Armstrong, BouttŽ brings the exuberance and warmth of New Orleans to audiences across America and Europe with her music, while also ringing out the yet unanswered distress calls of her city.
The New Orleans spirit reflected in the records of Sidney Bechet and Louis Armstrong is alive and well in a crowded club filled with the sounds of Dr. Michael WhiteÕs clarinet. Dr. White, arguably the foremost traditional New Orleans jazz historian and clarinetist, possessed one of AmericaÕs most thorough collections of jazz artifacts, including vintage instruments, original sheet music and one of a kind recordings. This irreplaceable collection now lies in moldy heaps on the floor of Dr. WhiteÕs house near a major levee break, leaving him homeless and with only his music to turn to.
The energetic Armand ÒSheikÓ Richardson, part photographer, part activist, part whirlwind, shoots thousands of pictures per week, as he puts it, Òto preserve whatÕs left of New Orleans for future generations.Ó After years of working hand-and-foot to repair houses destroyed by the storm, Richardson finally unites with BouttŽ to form a musicianÕs aid organization to help Dr. White and others rebuild their lives.
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