SALATA BALADI

Digital Betacam, color, 104Õ, 2007
by Nadia Kamel

coproduction with Snooze Productions, Les Films dÕIci, RTSI-Televisione svizzera, Cityzen TV

original version: Arab, English, Italian, French, Hebrew (o.v.) subtitles : English

Premiere Locarno Film Festival 2007 - Ici & Ailleurs

 


Awards

San Francisco Arab Film Festival: Best Documentary

Mumbai International Film Festival: Best Long Documentary & FIPRESCI Award

National Film Festival, Egypt: Certificate of Merit  

 

Festival selections

Locarno Film Festival 2007

Middle East IFF Abu Dhabi

Paris Grand Ecran

Cinema East Film Fest, New York

IDFA Amsterdam

Solothurn Film Festival

Women Film Festival Alexandria

Ljubljana Documentary Film Festival

Festival Docatunis, Tunisia

Internationales Dokumentarfilm Festival MŸnchen

Beirut Docudays

DocLisboa

Les Etats gŽnŽraux du Documentaire de Lussas

London International Documentary Film Festival

21st century Egypt, spurred by the rallying cries of a global clash of civilizations, risks drowning in a xenophobic frenzy. MARY, a grandmother, and her daughter (the filmmaker) join efforts to give  Mary's grandson, Nabeel,  a glimpse into possible alternatives: the family's 100-year history of mixed marriages.

Like many Egyptians, after a century sprinkled with multiple immigrations, a few conversions and a few mixed marriages, Nabeel is a mix of Egyptian, Italian, Palestinian and Lebanese with some Russian, Caucasian, Turk and Spanish; from his  Moslem, Christian and Jewish descendants he inherits a track record embracing socialism, fascism, communism, nationalism, feminism and pacifism.

But as the grandmother weaves her way through the family fairy tales, she bumps into her own fears and the continued silence shrouding one branch of the family grows distressingly louder.
In an act of solidarity with the Palestinian people dispossessed by the creation of the Jewish state of Israel in 1948, Mary has been boycotting her Egyptian Jewish family in Israel for 55 long years.

Inspired by the telling of her own stories and the fresh perspectives her 10-year-old grandson brings to them, she and her loving, eclectic circle engage in the breaking of arguably one of the most vicious taboos in modern Egypt.